A Comparative Study
of the Flat Second Pitch Degree in North Indian Classical, Ottoman or Arabian Influenced,
Western, Heavy Metal and Film Musics
Sarha Moore
Sarha Moore
CD and DVD tracks
Timecode
included if different from in main text.
Chapter 1: Komal Re: the ♭2 in ragas of North India and Pakistan
|
|||
CD 1
Track
|
Figure
|
Artist
and track
|
Page
no.
|
1
|
1.1
|
64
|
|
2
|
1.5
|
73
|
|
3
|
1.7
|
74
|
|
4
|
1.9
|
Shrivastav
singing characteristic phrases of raga Bhairav.
|
74
|
5
|
1.10 1.11
|
75
75
|
|
6
|
1.13
|
76
|
|
7
|
1.16
|
Khan singing
raga Todi.
|
78
|
8
|
1.18
|
79
|
|
9
|
1.19
|
79
|
|
10
|
1.24
|
82
|
|
11
|
1.27
|
85
|
|
12
|
1.29 1.30
|
86
87
|
|
Chapter 2: ‘Touched by the maq[k]am’:
the flat 2 in
Mediterranean genres
|
|||
13
|
2.2
|
101
|
|
14
|
2.3
|
102
|
|
15
|
102
|
||
16
|
2.7
|
Kandel’s
Orchestra ‘Der Gasn Nigun’.
|
104
|
17
|
2.8
|
105
|
|
18
|
2.9
|
Baylav playing Hicaz makam. |
106
|
19
|
107
|
||
20
|
2.12
|
108
|
|
21
|
2.13
|
109
|
|
22
|
2.14
|
110
|
|
23
|
2.17
|
112
|
|
24
|
2.18
|
113
|
|
25
|
2.19
|
114
|
|
26
|
115
|
||
27
|
2.21
|
116
|
|
28
|
2.23
|
116
|
|
29
|
2.25
|
117
|
|
30
|
2.26
|
118
|
|
31
|
2.28
|
120
|
|
32
|
2.29
|
123
|
|
33
|
2.30
|
124
|
|
34
|
125
|
||
35
|
129
|
||
36
|
2.35
|
130
|
|
37
|
2.37
|
132
|
|
38
|
137
|
||
39
|
142
|
||
40
|
2.40
|
Dandini
Dandini Dastana.
1.35–2.57.
|
143
|
41
|
2.41
|
143
|
|
42
|
144
|
||
43
|
2.43
|
149
|
|
44
|
2.44
|
150
|
|
45
|
2.45
|
152
|
|
46
|
2.46
|
157
|
|
CD2
|
Chapter
3: A history of the Other in the West
|
||
1
|
169
|
||
2
|
3.5
|
176
|
|
3
|
3.16,
3.17
|
185
186
|
|
4
|
3.19
|
190
|
|
5
|
3.24
|
195
|
|
6
|
3.25
|
196
|
|
7
|
3.31
|
201
|
|
8
|
3.36
|
203
|
|
9
|
3.37
|
204
|
|
10
|
3.38
|
Philip Glass, ‘Evening
song’, Satyagraha Act III, part 3. 1.43–2.00;
2.11–2.27;
3.08–3.25; 3.35–3.52;
4.33–4.51; 5.00–5.17.
|
205
|
11
|
206
|
||
12
|
208
|
||
Chapter 4: Dissonance and dissidents: the ♭2 within heavy metal music
|
|||
13
|
4.2
|
214
|
|
14
|
4.3
|
214
|
|
15
|
4.4
|
216
|
|
16
|
4.5
|
216
|
|
17
|
4.7
|
217
|
|
18
|
4.8
|
218
|
|
19
|
4.9
|
220
|
|
20
|
4.10
|
220
|
|
21
|
4.11
|
221
|
|
22
|
4.12
|
222
|
|
DVD 1
|
225
|
||
23
|
4.13
|
225
|
|
24
|
4.14
|
Lamb of God, One Gun 0.00–0.29.
|
225
|
25
|
226
|
||
26
|
4.15
|
227
|
|
27
|
227
|
||
28
|
4.16
|
228
|
|
29
|
4.17
|
228
|
|
30
|
4.18
|
Metallica, ‘Wherever I May Roam’.
|
229
|
31
|
231
|
||
32
|
4.19
|
232
|
|
33
|
4.20
|
Al Qaynah, Ground Zero Pilgrims
|
234
|
Chapter 5: The
♭2 in film, TV and video soundtracks
|
|||
DVD 2
|
5.1
|
242
|
|
34
|
5.2
|
242
|
|
DVD 3
|
5.3
|
243
|
|
35
|
5.4
|
243
|
|
DVD 4
|
5.5
|
244
|
|
DVD 5
|
5.6
|
244
|
|
DVD 6
|
5.7
|
245
|
|
DVD7
|
5.8
|
245
|
|
36
|
5.9
|
The State Within
tension ostinato.
|
246
|
37
|
5.10
|
246
|
|
DVD 8
|
5.11
|
247
|
|
DVD 9
|
5.12
|
248
|
|
38
|
5.13
|
248
|
|
39
|
5.14
|
249
|
|
40
|
5.15
|
250
|
|
41
|
5.16
|
252
|
|
DVD 10
|
Your First 80 Days, Marine Corps Recruit Training.
|
241
|
|
DVD 11
|
5.17
|
254
|
|
DVD 12
|
5.18
|
258
|
|
DVD 13
|
5.19
|
259
|
|
DVD 14
|
5.20
|
260
|
|
DVD 15
|
5.21
|
261
|
|
DVD 16
|
5.22
|
263
|
|
DVD 17
|
5.23
|
264
|
|
DVD 18
|
5.24
|
264
|
|
42
|
5.25
|
264
|
|
DVD 12
|
5.26
|
266
|
|
DVD 19
|
5.27
|
267
|
|
DVD
20
|
5.28
|
268
|
|
DVD
21
|
5.29
|
269
|
|
43
|
5.30
|
270
|
|
DVD
22
|
5.31
|
270
|